Think before you Amazon.

Our little piece of paradise brings in a whole lotta revenue for the state. The Charleston CVB  ran some numbers last year and says that in 2015 the average individual spent $869 on food, drinks, lodging, and shopping during their stay. Let me be clear, that's just on themselves during a weekend vacation. 

Developers and landholders in our area see these dollar signs and want a piece of the pie, so, now comes the trickle. 

An apartment that in many cities would be considered condemned is now a pricy, "quaint bungalow in a historic part of town" and no, your landlord doesn't want to fix your toilet for you. A 200 square foot artist studio with a communal bathroom is costing them more than one would spend on organic groceries for a family of 4 boys, monthly. What about a cultural storefront Downtown? You know, those places that make Charleston so cool? Each first of the month comes with the realization that we entirely rely on this community and it's visitors to support us. 

The power to maintain a colorful, delicious, thriving city falls into the hands of the people who like what they see, not those that provide the charm day-in and day-out. 

This holiday season we, the creative community, ask you to think before you Amazon. Support your local gallery, boutique, coffee roaster, brewery, whatever. We thank you for giving us another year as America's #1 city

Join us on December 1st from 5-8pm for the CGA Artwalk and our 'Holiday Market'! 

Long Prism Earring by Naked Eyes, sterling silver, $175

King Street From Above, ink on mylar, framed by Kate Hooray Osmond $110 

Lucia by Miles Purvis, collage and resin on panel, $110 

locally forged iron bookends by JP Shepard, $500

OVERSIGHT: Kate Hooray Osmond | November 3-30, 2017

Miller Gallery and Kate Hooray Osmond will be celebrating the opening of Oversight on November 3, 2017 from 6-8pm. 

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Osmond moved to Charleston nearly two years ago from Annapolis, Maryland. She's currently working on an intensive MFA from the Maryland Institute College of Art (MICA) and holds a studio at Charleston's art incubator, Redux Contemporary Art Center. Kate Hooray Osmond recently won the prestigious Griffith-Reyburn Lowcountry Artist of the Year award. 

Courtesy of the Costal Community Foundation: 

What inspires and motivates you?

It’s cheesy to say, but absolutely everything interests me. I’m a complete magpie for information. I love the scale-ability of our universe; the attraction and repulsion of atoms mirrors the movement of our planets, road highways act like rivers, etc. I see connections in everything and get absorbed in the flow of life very easily. I find humans and community structures fascinating. My work nearly never has a human body in it, as my pictures are a metaphor for the human condition. When I see my finished landscapes and aerial views, all I see are people and their stories and I am very connected to each piece. I also really like sparkly things. I use gold leaf in my work because if I didn’t, I would probably cover my paintings in glitter. I’m only partly kidding about that.

What advice would you give to beginning artists?

Work long and work hard at your art and welcome missteps and failures. I’ve had bucketloads of failures along with some successes. Failures are what you need in order to learn how to be successful. Failures deserve a big hug. Treat your art as an investigation or experiment and you won’t fall into the trap of it becoming too precious.

Also, on a much smaller note- don’t spend hours and hours on a piece only to give it a shoddy frame or pedestal. That kills me.

Do you ever find yourself with artist’s block or stuck or unable to create a new piece? If so, what do you do to get unstuck?

I have had times when I would get stuck, sure. The way I use to avoid the problem is to work every single day, whether I feel like it or not. Although it’s not really so easy to face a problem when you feel unqualified to tackle it, you don’t give yourself the opportunity to let fear distract you from progress. I think artist block is another name for fear: fear of failure, fear of success, etc. I’ve found that the pieces that are the most difficult to resolve- the ones that have colors that aren’t working for me or I’m not happy with the composition- almost always turn out to be the ones that are the most successful in the end. It’s important to give yourself the opportunity to be creative.

Recently, you’ve started creating paintings based on source images taken from flying in a helicopter across N. America. Can you tell us more about how you got started with this idea?

I’ve been flying for over a decade. It isn’t difficult to sit in a helicopter but it is out of the ordinary experience of most folks and that’s kind of the whole point. The aerial view, just a few hundred feet of separation from how we usually view our life, makes a world of difference. We go through life each day and drive on streets that are familiar; when we get to view a bigger picture of that daily experience, things shift inside of us: some things that seemed important might not be so. Some things might become more important to us. A calmness sets in and maybe a new understanding. It’s a different perspective, get it?

What does winning the Griffith-Reyburn award mean to you?

Words can’t express how grateful I am, but I can try. Since I was told of my winning the Lowcountry award, I have shown my work internationally, won merit awards and I am now represented by two galleries in the U.S. I don’t think I would have felt that I could even attempt those things before. It’s a dream come true. It’s an honor.

Join us on November 3 from 6-8pm for the opening of OVERSIGHT. Exhibiting through November 30, 2017. 

 

detail of Murmurs of Life

An Artful Dinner

Charleston is a haven for creative minds. Having lived in this paradise for 10 years I've crossed paths with some super cool, forward thinking entrepreneurs. A few weeks ago a handful of these colorful characters and I decided to throw a Monday night dinner party in the gallery... Needless to say it was one for the books. 

A huge thank you to Alex Klaes of Naked Eyes (our fav Charleston jewelry duo) for the phenom photos. 

 

Pure Fluff spun cotton candy for us and it even made into the cocktails! Hello, Flufftail! 

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The food was from Hamby, which is a Charleston party staple! 

The food was from Hamby, which is a Charleston party staple! 

A killer tablescape made by the joint forces of Yoj Events, Frampton's Flowers, and Coastal Kelder. 

A killer tablescape made by the joint forces of Yoj Events, Frampton's Flowers, and Coastal Kelder. 

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The gallery was perfect for our dinner party. Let us know if you'd like to host your own at Miller Gallery! We know a few people who could make it a night to remember.


Want to know all the details? Follow my friends on Instagram here:

-Venue: @millergalleryCHS

-Styling: @yojevent

-Rentals and Tabletop: @eventworksrentals

-Floral: @framptonschs 

-Flufftails and Cotton Candy: @purefluffco

-Photography: @apklaesphoto

-Catering: @hambycatering 

-Music: @sethgmusic 

-Napkin Rings, Oyster Candles, Specialty Glasses: @coastalkelder 

Finding a balance

At the end of June we blogged about placing contemporary art in a historic home. A lot of people responded with questions about mixing contemporary and traditional art in the same space. Personally, I think a true art lover is drawn to all things beautiful or intriguing - whether they are old or new! Here are a few tips on finding the balance. 

1. Use color as a guide.

Great artists know how to use colors together. You'll find similarities in color combinations used by artists who understand color theory, whether they were painted in the 1800s or 2017! 

 

Flowers by Vincent Van Gogh, 1890s

Doing My Happy Dance, 36" x 36" $3,900 by Dixie Purvis, 2016

2. Tie a space together thematically. Where have you traveled? Where have you lived? 

Your collection is comprised of what speaks to you. I've seen African art rooms, spaces filled with pieces from a lifetime of travels, and sun rooms with only florals. They all work! 

from the Hudson River School, circa 1860, Albert Bierstadt 

from The Deep Series, 12 x 12 Kate Hooray Osmond 

3. Light it properly. 

You love your art. Don't treat it as if you don't! Lighting can make a huge difference in a space, especially if you're highlighting various genres of art. Let each piece sing and your varied collection will make a lot more sense to those enjoying it with you. 

4. Don't be afraid to ask for help. A few hours of work can revamp your entire home and an entire lifetime of collecting! We offer consulting services up and down the East coast. Collection curation, proper lighting, framing, it's easy with a little help from someone you trust.